Expanded RealityAugust 23, 2007 at 7:30 pm | Posted in Textos Basicos | Leave a comment
“Expanded cinema”, i.e. the expansion of the commonplace form of film on the open stage or within a space, through which the commercial-conventional sequence of filmmaking – shooting, editing (montage), and projection – is broken up, was the art-form that I chose in the mid-1960s when I realised that the course of my life would lead me through the history of art. During this period I had already completed a course of study in painting, and it was clear to me that I would turn towards the image, but this linage would be the living, expanded one. I had been particularly impressed during my student years by cubism, constructivism, and futurism, and thus with the form and extension of artistic expression in(to) space, and the related element, time; the interconnection between light and movement, processes that irritated my educated way of seeing; and above all the image, and an “actionist” method for dealing with the image. Later I made feature films, to the extent that the situation – and by this I mean the financial situation – allowed it, but in all of my films there occur elements of the film medium that I have won through my own experiences with, and deliberations on, expanded cinema. I always see film as a sculpture that, for me, has varying levels of ways of observing it.
I have found a way to continue expanded cinema in my physical performances in which I, as the centrepoint for the performance, position the human body as a sign, as a code for social and artistic expression.